Arts, Music

I, Too, Sing America

Kenyatta Emmanuel
American History and Black Musical Expression
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Description

This course module American history through the lens of artistic expressions of Black folx, focusing primarily on music and spoken poetry. Through a preselected playlist, students will engage with various forms of artistic expression, analyze their historical context, and discuss their socio-political significance. Emphasis will be placed on understanding the role of artists and their work in social movements, and critically evaluating the relationship between art and propaganda.

Topics/ Learning Objectives

Students/ participants will be able to:

  • Identify news clips that correspond to historical events that inspired the songs/poem shared in class
  • Discuss the effects socio-political movements have on the Arts 
  • Differentiate between art and propaganda
  • Create art to communicate a specific need for change
  • Analyze the relationship between socio-political movements and artistic expression in the context of Black experiences.
  • Evaluate the role of artists in shaping and contributing to social and political movements.
  • Critically examine the intersection of art and social change, distinguishing between artistic expression and propaganda.
  • Understand the historical and contemporary significance of Black artistic movements in American culture.
  • Identify gaps and limitations in the representation of Black experiences in the selected artistic expressions.

Additionally, students will be able to answer the following questions:

  • How are specific socio-political movements and events reflected in the contemporaneously expressed music?
  • What role does the artist play in the social movements of their moment
  • What role does art play in the movement?
  • What is the difference between art and propaganda? Is there a difference?
  • Examples of politically/socially revolutionary artistic movements. (How were they regarded in their time? How are they regarded now?)
  • What music is missing?

Required Material

The Souls of Black Folk by W.E.B Du Bois
Find on Bookshop, Online, or your local library
Blues People: Negro Music in White America by LeRoi Jones
Find on Bookshop, Online, or your local library
From #BlackLivesMatter to Black Liberation by Keeanga-Yamahtta Taylor
Find on Bookshop, Online, or your local library
Blues Legacies and Black Feminism by Angela Y. Davis
Find on Bookshop, Online, or your local library
Soul Power: Culture, Radicalism, and the Making of a U.S. Third World Left by Cynthia A. Young
Find on Bookshop, Online, or your local library
Can’t Stop Won’t Stop: A History of the Hip-Hop Generation by Jeff Chang
Find on Bookshop, Online, or your local library
How to Listen to Jazz by Ted Gioia
Find on Bookshop, Online, or your local library
Their Eyes Were Watching God by Zora Neale Hurston
Find on Bookshop, Online, or your local library
Between the World and Me by Ta-Nehisi Coates
Find on Bookshop, Online, or your local library
The Fire Next Time by James Baldwin
Find on Bookshop, Online, or your local library
The Black Arts Movement by Neal Larry
Find on Bookshop, Online, or your local library
Negro with a Hat: The Rise and Fall of Marcus Garvey by Colin Grant
Find Online
The Collected Poems of Langston Hughes by Langston Hughes
Find on Bookshop, Online, or your local library
The Complete Collected Poetry of Maya Angelou by Maya Angelou
Find on Bookshop, Online, or your local library
The Black Panthers: Vanguard of the Revolution Documentary by Stanley Nelson
Find Online, or your local library
Flyboy in the Buttermilk by Greg Tate
Find Online, or your local library
The Revolution Will Not Be Televised by Gil Scott-Heron
Find on YouTube

Suggested Material

Black in America Playlist curated Apple Music
Find on Apple Music
A national memorial confronts the terror of lynching
Find on Youtube
Coded Spirituals PBS Learning Current by PBS
Find on Youtube
Why is Everyone Stealing Black Music? by Wesley Morris
Find on Online
The Collected Poems of Langston Hughes by Langston Hughes
Find on Bookshop, Online, or your local library

Schedule and Assignments

Readings:

“Blues Legacies and Black Feminism” by Angela Y. Davis (Knopf Doubleday Publishing Group, 2011)

Poetry selections by Langston Hughes and Maya Angelou

Discussion Points and Activities:

Introduction to the Course and Historical Context

Introduction to the syllabus and course objectives.

Overview of the historical background and context of Black artistic expression in America.

Discussion on the socio-political landscape of the time periods reflected in the playlist.


Readings:

Book: “Soul Power: Culture, Radicalism, and the Making of a U.S. Third World Left” by Cynthia A. Young (Duke University Press, 2006)

Documentary: “The Black Panthers: Vanguard of the Revolution” (Directed by Stanley Nelson)

Reading:

Book: “Can’t Stop Won’t Stop: A History of the Hip-Hop Generation” by Jeff ChangPicador; First Edition (December 27, 2005)

Article: “Flyboy in the Buttermilk” by Greg Tate (Simon & Schuster, 1992)

Reading:

Book: “How to Listen to Jazz” by Ted Gioia (Basic Books, 2017)

Essay: “The Revolution Will Not Be Televised” by Gil Scott-Heron (1971)

Reading:
Reading: “Their Eyes Were Watching God” by Zora Neale Hurston (J. B. Lippincott, 1937)
Reading:
Reading: “Between the World and Me” by Ta-Nehisi Coates
Reading:
Reading: No readings; prepare for midterm presentations
Reading:
Reading: “The Fire Next Time” by James Baldwin (Dial Press, 1963)
Reading:
Reading: Reading TBD with consideration given to the guest lecturer or panelists
Reading:
Reading: “The Souls of Black Folk” by W.E.B. Du Bois (A. C. McClurg & Co., Chicago, 1903)
Reading:
Reading: “The Black Arts Movement” Neal, Larry (The Drama Review, 1968)
Reading:
Reading: “Negro with a Hat: The Rise and Fall of Marcus Garvey” by Colin Grant (Vintage Books, 2009)
Reading:
Reading: “Blues People: Negro Music in White America” by Amiri Baraka (LeRoi Jones) (London : MacGibbon And Kee, 1968)
Reading:
Reading: No readings; prepare for final presentations
Presentations of final projects

Optional Thematic Section: Addressing Gaps and Looking Ahead

Session 1: Identifying Gaps in the Selected Playlist and Discussing Omissions

Session 2: Exploring Other Forms of Black Artistic Expression: Film, Literature, and Visual Arts

Session 3: Student Presentations on Contemporary Artistic Expressions

Session 4: Course Conclusion and Final Reflections

Expectations and Assessments

Assessment:

Class Participation and: 20%

Entries and Engagement in Online Discussion Platforms: 30%

Midterm Analysis Paper and Presentation: 25%

Final Project and Presentation: 25%

  1. Class participation: As discussion and communal examination of this material is essential to the course, students are expected to attend and engage the material with the class/cohort. Inconsistent or insufficient attendance will result in an incomplete—at best.
  1. Discussion Board Posts:  Each week students will listen to themed music selections for that week, and engage the related written text (lyrical or commentary).  After listening to the assigned audio clips, each student will make an initial post reacting to the pieces they listened to.  This initial post is due at least 3 days before the next class meeting.  By class time, students should respond to someone else’s discussion post.  The initial post should be 2-3 paragraphs in length, and the reply post should be 1-2 paragraphs in length.
  1. Midterm:  Students identify a topic explored in the Black in America playlist. Student presents to the class 2 songs relevant to the selection—either from the Black in America playlist of the student’s choice. Presentation should show an understanding of the song or artist’s social or political engagement, and of the historical context in which the songs were offered or written. 
  2. Final: Students curate and present to the class playlists constructed by student teams, using the segment themes offered in the original playlist or new themes submitted and approved by the instructor. Each team chooses one themed section of their playlist and presents the spoken intro and one selection from that section, explaining the relevance of the selections. After class listens to the selection, the student team leads discussion of the offering.